November 2021 - Orb in Neapolitan Terrazzo

For this month, I wanted to do a new terrazzo candle. I got a rust-colored dye a few weeks ago that I like a lot. I'm working on a terracotta colorway right now (skewed more red than a plant pot and slightly lighter) but I haven't figured out the perfect combination. This candle was good practice, though.


Recently it's begun to bother me that my regular terrazzo has the colors grouped together rather than scattered. I was trying to remember if I'd tried a scattered version and I'm almost certain I did. I guess I just didn't like it as much. Anyway, I've been wanting to do a new terrazzo with scattered colors and smaller pieces. I think the orb shape displays that kind of pattern best (just like the portal shape displays the cloudy pattern best in my opinion).


For all of the terrazzo candles, I mix the colors for the chunks first. Here I did white, light pink, and a medium brown. I pour just enough to cover the bottom of the molds (any molds--in fact, the more mold variations you use, the more diverse your pieces will be). Once they harden I break them up into smaller pieces. I prepare the orb mold by coating the inside with a thin layer of an oil and Vaseline mixture to keep it the wax from sticking to it. This is a much more important step when the mold has corners (e.g. the arch shape) but it's a good habit to keep regardless. I thread my cotton wick through both sides of the mold using a blunt needle. I check each chunk to make sure that the side I'm pressing into the mold is completely flat and then arrange them how I want. After that, I pour a small amount of the rust filler color at about 145 degrees and quickly press the chunks down, eliminating any air in between them and the mold. This is a really important step to make sure the candle has a totally smooth surface. Once each piece has been pressed down, I fill the mold up to the top and let it harden. After a couple of hours I remove it from the mold and use a piece of cheesecloth to buff the surface and edges.


I think this one came out really well. It's rare to be able to work with an actual color pattern rather than just a single contrasting colors. The terrazzo candles are by far the most difficult and time-consuming of the candles I make, but I think the effect looks really great. The cloudy candles will always be my favorite, possibly because they're simple and forgiving while still including an artistic process (unlike solid color candles).

 
Taylor Evans